Carnet de développement #112 – Interview avec Theodor Bastard

Life is Feudal - Carnet de développement #112

Salutations Féodalistes!

Cette semaine nous avons implantés une seconde vague de correctifs pour la Première Mise à jour majeure. Il contient de nombreux correctifs et améliorations ainsi que certaines modifications qui, nous le pensons, améliorerons les nouvelles mécaniques de jeu.

Dans le même temps, nous avons envoyés les coupons-cadeaux que nous vous avions promis comme gage de notre gratitude. A cause du nombre importants de joueurs sur le MMO (et pour tenir notre promesse de remercier chacun d’entre vous), notre boite mail a eu quelques soucis et il en a résultés de grands retard dans les délais de livraison de ces messages. Nous avons renvoyés l’ensemble des mails afin de nous assurer que tout un chacun recevrait bien son coupon. Si vous n’avez pas reçu votre coupon-cadeau, vous pouvez contacter l’Équipe de Support sur Discord ou envoyer un mail à


Et maintenant, comme promis la semaine dernière, nous allons vous en dire plus à propos du groupe qui à réalisé les nouvelles musiques de Life Is Feudal: MMO – Theodor Bastard. Originaire de St. Peterbourg, ils sont en phase de devenir les pionniers du neofolk en Russie, et leurs musiques intègrent des éléments de dark wave, trip hop, d’ambiance et les thèmes de leurs chansons tournent autour de la fantaisie et de la mythologie.

Nous avons eu la chance de pouvoir leur poser quelques questions et nous vous partageons cette interview:

Theodor Bastard
Theodor Bastard

What got you interested in the game and its setting? Do you get inspired by the Medieval era when it comes to your music, and if so, by what exactly?
The music of the Early Middle ages — this is where modern music originates from, after all, and especially the period of Northern early medieval music that we know so little about. Take any folk music — it’s like a breath of antiquity that has reached us, contemporary people. You simply can’t not get inspired by this, it’s like archeology or paleontology. Full of mysteries and never ending sources of inspiration! For instance, take various folk music harmonies, instruments with various sound and tunings.
In this day and age, everything is standardized and factory made — all those same model plastic instruments that people use in a modern music band — it hasn’t always been like this. Medieval world is a cluster of various ideas and musical concepts starting from instrument set and ending with harmony and melody ideas. It was a period of wonder, and the music itself had a different meaning.

What inspired you when you were working on the Life is Feudal soundtrack? What kind of tasks did you set, and what were your goals?
Well, we started off with researching the game and its atmosphere, and then we realized how we could contribute to that. Most of all we were inspired by early northern medieval music — both Norse and Slavic. We used a bunch of of folk instruments, folk harmonies and methods.
Composing a videogame soundtrack is completely different from writing an album. It’s a more practical and functional thing that is basically complimenting a visual part of the in-game world. And only it fits and goes in tune with graphics — that’s when magic happens. Two elements — audio and visual together can make a great impression. Hope we succeeded.
You’ve already made a soundtrack for a video game, right? Is there any difference between sounding a Medieval MMO and other game projects? Were there any difficulties or peculiarities about that?

While making music for LiF:MMO, we decided to minimize using computer technology. Even though our previous projects we’re mostly ‘electronic’, this time we decided to focus on the sound of real musical instruments. Computer synthesizers are no help when it comes to folk music, so we actually recorded all the instruments. Everything that you can hear is mostly real life instruments. It was indeed quite challenging. Usually soundtracks like this take a huge team or dozens of musicians, but we’ve recorded it together with our vocalist Yana and just a couple of other musicians that we invited.’re incredibly proud of this work.

By the way, do you guys play video games in your free time?
What’s ‘free time’? Sadly with our tour and recording schedule there’s no much free time left, and when there is some we do our best to spend it in nature or with our close ones. However, it might be a good idea to play some games on a long flight or journey.

If you found yourself in the LiF world, who’d you become?
Ancient gods of music, perhaps 🙂

What kinds of medieval instruments have you used in LiF: MMO soundtrack?
Lute, Norwegian violin, bugle, tin whistle, harp, Celtic harp, bowran, davul and many more. All of them real and recorded live.

Speaking of unusual instruments: what was the most complex ethnically or historical musical instrument you’ve ever played?
Huh, I think it was pretty challenging to make appalachian dulcimer sound like a Medieval instrument since it’s an American country music instrument. We’ve also used Morin khuur — a traditional Mongolian instrument, but we’ve tried to give it a Northern kind of sound. That was pretty challenging as well.

Did you manage to implement all that you planned for this project?
A lot of things, but not everything. To be frank, it takes a year to make all ideas come true. Yet all in all we are really happy with how it turned out.

— Theodor Bastard

Passez un bon week-end féodalistes, et n’oubliez pas de monter le son!

— L’Équipe